Transformation In Practice

I’ve created the systems, the structure, the discipline, and streamlined the communication pipeline from the CEO on the client side all the way to a creative thinker on the ALBC team. I’m confident in translating the aspirations and desire for perceptibility into creative inspiration, meaning, and ultimately a holistic brand.
I bring a unique perspective to this work and to this business - I’m a classically trained soprano. I’ve never worked in a corporate setting, held a desk job, or even really worked in a traditional position before. I spent fifteen years as a gigging musician: I had a job as a church singer, taught private lessons, worked in schools, helped run a musical theater intensive, sang in professional ensembles, created my own performance opportunities, and traveled around the world for various music festivals. So why am I here now? How does any of that help me do any of this?
The life of a musician is complex - we work with lots of different kinds of people, we have unpredictable schedules, we have to learn new repertoire at an often alarming pace, and we don’t always get to choose the kinds of projects that we take on. When we do have control of a project, we aren’t simply performing a new piece - we’re finding a venue, advertising the program, finding other musicians to join us, writing program notes and designing all of the physical aspects of a concert, figuring out what to charge and how to compensate our collaborators, presenting to the audience, and then mingling with everyone afterward to show our appreciation for their attendance or their contribution. At the end of all of that, we’re cleaning up the venue, editing photos, audio, and video, and then starting all over again.
Working as a director of operations, I find so many parallels between the music world and the corporate and non-profit space:
- I’m communicating with lots of different kinds of people - maybe it’s the CEO of a large organization, perhaps it’s the small team working at a startup, or the passionate volunteers at a nonprofit. How do I meet them where they are? It’s just like switching between working with professional collaborators, artistic administrators, or music students. Everyone wants the same thing - success - and I know how to get them there, no matter where they’re starting.
- I’m working with constantly changing timelines - sometimes a client wants something pushed through as quickly as possible, which requires a lot of collaboration and communication to stay on track. Sometimes a client might change their mind - how do we pivot? How do we adjust to make everyone’s vision of success a possibility? It’s just like dealing with last-minute repertoire changes, venue issues, or dealing with a student’s changing schedule. You find a way to move forward and keep the end goal in mind.
- I’m working with different teams all the time. As a musician, sometimes you have the privilege of working with the same ensemble regularly. But oftentimes, you’re working with new configurations of people, people you’ve never worked with before, and people who have different ideas about how a rehearsal should go, how a piece should go, how one should sound. You meet them in the middle, you find a way to make music together and not as two soloists. At ALBC, we work with new clients and teams all the time externally, and internally we have a collective of 40 different creatives we can pull into a project. That’s a lot of variability, and requires flexibility, understanding, and patience as you figure out how to collaborate.
Not having the experience of a corporate background - the hows, the whys - makes me ask a lot of questions and be willing to try many possible solutions. Over time, I’ve created a system that works well not only for me, but for ALBC. I bring my perspective as an entrepreneur, a program designer, a private instructor, a collaborator, and an artist to the table.
In this series, I’ll address some of the things I’ve observed and learned working in this industry, bringing that unique view into the fold whenever I can.


